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I`m talking about super resolution methods for upscaling single frames and videos. About optics (Microscopic images and videos) super resolution I know the principles. If someone wants explain me more accurately, I will be glad.
I`ve been reading that motion adaptive super resolution and multi image super resolution are based in sub-pixel displacement and aliasing presence. Too, what is exactly sub-pixel, in image/video context? NNEDI3 causes sub-pixel misalignment and center shift.
What is this? How works single image super resolution that is based in patch seamless? Is it based in sub-pixel misalignment too? Quote: How works single image super resolution that is based in patch seamless?
It looks like fractal compression algo being applied to picture. It produces transition function for block-domain pairs that being applied repeatedly can reproduce source image. If you apply this decompression to higher resolution image it can actually produce more detailed image.
Up to a point, of cause, and with some guessed info. You cannot read car number out of a 1.2 pixel plate, but something like 2 times resolution increase might be possible. Quote: I`ve been reading that motion adaptive super resolution and multi image super resolution are based in sub-pixel displacement and aliasing presence. That sounds like to me. Lana del rey ultraviolence album zip. It works if your camera sensor's elements collect light only in a small area, and are separated from other elements by a gap - as is the case with the Hubble Space Telescope. So what you end up with is aliased - it's almost the equivalent of taking a normal image and scaling down with a pointresize. By taking lots of photos and slightly shifting the sensor/camera, you can pick up the 'missing' light that would have hit the gaps instead of the sensor elements.
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A lot of people got excited about it for a while, but it's no use unless your sensor is undersampling, and (as I understand it) that rarely applies to cameras. Think of it like looking through a piece of paper with 1cm square holes punched in it every 2cm. Place it over an image, and you can only see 1/4 of it, but those pixels you can see are sharp and clear. Shift it by 1cm, and now you've seen half the image. Shift again, and again, and you'll get the whole image. One case where it does apply, though, is a technique called Bayer drizzle, which can fill in the gaps (caused by undersampling R, G, and B) in a by similar means. You need RAW camera data to do that.
Based on the minute description of its operation, it is yet another of the growing number of clones that are 'differently the same' in respect to nnedi. I understand why people want to play around with the techniques tritical developed, but If you end up with nothing but a slighty inferior result for your effort, it just feels wrong to me to present that as something new without even mentioning the originator, or providing a fair comparison to it to show the assumptive differences.
It uses the techniques of nnedi, but seems to be tuned more like eedi2/3: I'd imagine that an alternative weights file for nnedi3 could be generated specifically for toons/anime/cgi, and it'd be a lot faster than this waifu2x. Probably even better looking, too. Regarding the thread topic, I've yet to see anything rival by a fellow from MSU, but of course they don't give you more than general details on the algorithm. The are pretty good, though.
Avisynth has an open-source (but very specialized) super resolution: QTGMC and its ancestors, which might well be the best deinterlacers ever made. Nearby frames are used to iteratively add detail to the generated parts.
I'm certain you could pick it apart to make a general super resolution script, although some of its detail retention features wouldn't work quite as well. Based on the minute description of its operation, it is yet another of the growing number of clones that are 'differently the same' in respect to nnedi. I understand why people want to play around with the techniques tritical developed, but If you end up with nothing but a slighty inferior result for your effort, it just feels wrong to me to present that as something new without even mentioning the originator, or providing a fair comparison to it to show the assumptive differences. It's a shame that waifu2x has gotten so much recognition and praise since its release. 2,940 stargazers and 219 forks on GitHub!. There's also lots of threads on the web discussing waifu2x and there's even some people claiming that it's more sophisticated than NNEDI3.
Please, I think those claims are just a big pile of chickenshit. IMOH, I think NNEDI3 with pre/post-processing can produce better results any day. It also works reasonably well with just about any type of content (not just anime). It's crazy that NNEDI3 (and its predecessors) have been around for years yet nobody seemed to care. Kudos to tritical!! And you don't think it's fishy that lanczos and spline are better with PSNR than nnedi3? I get the feeling the downscaling has a lot to do with the results.
I ignored PSNR, but I think it's easy to explain: They either didn't correct or didn't fully correct for the half-pixel shift. It's obvious when you look at the shots, which is what I compared to. Now with a buttload of sharpening, like feisty's last shot, it can look pretty good, but it still doesn't incorporate any temporal information. As far as I know no one has created a general Super Resolution script or plugin for Avisynth that really works, beyond just basic MVTools averaging, which is why I pointed out Video Enhancer - it seems to actually add detail that isn't in a frame by combining with what is in nearby frames. (Which is why it's a natural fit for deinterlacers.) In general it may not any better than nnedi3 in motion, but SR is best used for making maximum detail screenshots. Feisty: It's not useful to me to compared using linear light resize, because no source in the wild will have used linear light to downsize. Pretty much everything available has been downsized in gamma light.
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Perhaps if you are upsizing from an exceptionally well-scanned and high detail DVD, like a Criterion.
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